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About Rick School
Who would have thought that a book I read in eighth grade
would eventually change my life, my family's lives, and touch the lives of so many other
people? When I began to research the story of Ten Horsepower, I had no idea
how big a part of my life it would become.
My
involvement with this project has seen many dreams come true. To meet the surviving
members of the crew of Ten Horsepower. To stand on the main runway of Polebrook
airfield where the plane took off for the last time. To walk the face of Denton
Hill, where Ten Horsepower crashed, and there reflect on the men who gave their lives for
the pilot. And to meet literally hundreds of people whom I now call friends.
The story I read as a boy has become a rewarding chapter in my life as a man.
This book would not have been possible if it were not for
my dear wife Fern, who after only eleven months of marriage said "yes" to my
desire to research the story, and who (ten years later) is still saying "yes"
while I spend our savings for the future on retelling of the past. The sacrifices
Fern has made to help my dreams come true are endless. She has been with me all
along the way, as we traveled thousands of miles during seven summer family vacations
looking for answers. We passed many places of interest where she wanted to stop, but
couldn't because our research schedule was so tight, and all the while, Fern just
smiled. (Fern didn't smile as much the year she was pregnant. She felt too
sick to travel but even then she kept going. I offered to turn around and go home,
but she said no and was sick for 5,499 miles of our 5,500 mile trip. If that isn't
support and encouragement, I don't know what is.) Even now that our children Luke,
Rachel and Matthew are with us, we still travel to attend the annual 351st reunions. Fern,
you are truly the best thing that has ever happened for me. This book would not
exist if not for you. Thank you.
This book would not be what it is without the work Jeff
Rogers put into it. Jeff started out to help me write a magazine article, and along
the way found a deep respect and admiration for the crew of Ten Horsepower. Thanks
Jeff, for all the long nights you put into rewriting parts of the story because I had
found some new information. |
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About Jeff Rogers
I saw my first B-17
when I was eight years old. It was a model in a hobby shop. Dad saw my
interest but didn't say anything. Sometime after that, when I was
bored (and probably being a real nuisance), Dad surprised me with a
plastic model kit. It was a Matchkit, and the aircraft was a Spitfire.
The package was a flat piece of printed cardboard wrapped in the shape
of a book of matches around a plastic bag with the model parts inside.
I made a few gluey fingerprints here and there, and I had some parts
left over, but when I was finished I had an airplane I was proud of. I
had liked airplanes before I built the Spitfire, but the completion of
that model marked a turning point in my life. My teen years saw dozens
of model airplanes assembled and displayed in my room. Among these
were several B-17s in various scales and paint schemes. I always
thought the B-24 was impressive, but something about the B-17 kept my
attention and interest.
All of the models kits
came in brightly colored boxes with brief stories about the airplanes
printed on the outside. The instructions had a few more details and
line drawings to show how to paint the planes. At some point I began
to buy aircraft photo books so I could build more detail into my
models. Often a specific pilot would be mentioned, and the aircraft
portrayed in the colors that man had flown under. I almost always put
crewmen in my planes. I painted each crewman in his flight suit and
parachute harness, Mae West and leather helmet, but I never really
thought about the person I was representing with the tiny plastic
figure. Always, my focus was on the machine, not the man.
In my early thirties I
saw some of the World War II fighter pilots at the EAA Convention in
Oshkosh, Wisconsin. Pappy Boyington was there, and Francis Gabreski,
Chuck Yaeger, Bob Hoover, and several of the former Flying Tiger
pilots. Adolph Galland made an appearance one year, as did Dieter
Hrabak and Guenther Rall. These men were in their late sixties and
early seventies at the time. They had seen a lot of action in their
day, but I did not recognize them as being anything special. Nor did I
really know what they had been through. Around that same time I met
Rick School. We discovered our common interest in World War II
aircraft, only Rick's involvement had gone much deeper than mine.
While I had learned all I could about the planes, Rick had learned all
he could about the men who flew them. I had known Rick only a short
while when I realized that I was beginning to learn about a side of
the war I had never really considered.
The writing of Valor At
Polebrook was a process of reading, sorting and re-creating that began
in fall of 1991 and wasn't completed until about two weeks before the
book went to press in April of 1998. Writing the book became an
adventure, and a challenge, and somewhere along the way it turned into
a history lesson and a chance to travel back in time.
Like Rick, I didn't
really know what I was getting into when I agreed to work on the book.
I started by listening to the micro-cassette tapes of Rick's
interviews with Joe Rex, Tom Sowell, Russell Robinson, and Elzia
Ledoux. I spent hours under my headset, playing a few sentences at a
time, writing a few words, rewinding, playing again, writing again,
rewinding, until I had pages and pages of transcripts. From Rick's
description of the events, and the crewmen's recollections in the
interviews, I sketched an outline of the story. I started a file on
each of the crewmen and other members of the 351st BG who
witnessed some aspect of the mission or the landing attempts. My
approach to a complex project is always the same: Clear off a work
space, lay the pieces on the table, and sort it all out to see what
you're working with. Then, take the good pieces, put them back
together, and show a few qualified people what you've built. If you've
done it right, they'll tell you. If you haven't, they'll usually tell
you that, too. So it was with the paper pieces that would eventually
be arranged to explain how ten strangers came together to face death
and survival at twenty-thousand feet.
Rick and I met every
Tuesday night to compare notes and share ideas. It helped that we
worked at the same company. We spent a lot of our lunch breaks going
over transcripts and text sections. This was usually when Rick would
show me more of the research data he was continually receiving. I
never knew what he'd come up with next. After a while I just accepted
that no paragraph or chapter would ever be completely finished until
the book was in print. I'd take the new material home with me, look it
over to see where it fit into the story outline, then key the words
onto the computer screen. Many were the nights when I'd sit down to
write at 8:30, only to look up twenty minutes later and discover it
was after midnight. The effort was paying off, though, for each time I
turned off the computer I had more of the story on paper.
Our first milestone was
when EAA's Warbirds magazine ran a two-part version of the Ten
Horsepower story in their March and April 1993 issues. By then we had
a good selection of photos to add to the text. The story was well
received. Air Classics magazine ran the same basic article later that
year. These two publications resulted in Rick's receiving information
from other people who either knew the crewmen or had witnessed some
part of the landing attempts. I personally benefited from seeing the
story in print, and in seeing firsthand how my aviation friends
reacted to it. It's one thing to tell people you're writing a book.
It's another altogether to hand them the pages and watch as they
become absorbed in the story. It was a great confidence builder, and
provided a strong incentive for me to keep going when there were many
demands on my time and I was getting tired of the story.
As my stack of pages
got thicker, Rick and his wife Fern proof-read every line I wrote.
We'd talk about the parts that read well and other parts that didn't
flow at all. I'd listen and take notes, and I must have gone through a
box of red pens marking up the text that needed revision. But it was
all part of the process. You have to remember that neither one of us
had ever written a book before. We just figured that was how it was
done and it seemed to be working for us. Once the articles came out we
began to hear other people telling us that we were right. That was
great encouragement from people we knew would be honest with us.
Each passing year
brought more information and photos for the story. Rick usually told
me how he obtained each piece of information, but it was all I could
do to work the new data into sections I'd finished long before. I
couldn't keep track of all the ways Rick unearthed more of the story.
The most amazing find was when Rick received a box of items relating
to Lt. Nelson. These had been among the few possessions recovered
undamaged from the flooded basement of Diane Pavlik, Lt. Nelson's
niece. Lt. Nelson is buried in the Rock Island National Military
Cemetery, on the Mississippi river. During the flooding in spring of
1993, the river almost destroyed the diary kept by Mrs. Florence
Nelson, and nearly denied us the information we needed to tell a
crucial part of the story. Much of the diary was written into the
book. It's typical of the personal perspective that brought these men
to life for me as I came to know them through what they had written to
their families and through what their families had written about them.
By January of 1997,
Rick and I knew we were in the home stretch. The manuscript was
essentially complete. We had been contacting publishers for about half
a year in the hope that one would pick up our story and make things
easy for us. Several publishers asked to see outlines and sample
chapters. We felt sure that someone would see the unique nature of our
story and the way we had told it, but no offers were forthcoming.
Still, we were determined to get the book into print. In September we
set the deadline of December 31. If we didn't have an agreement with a
publisher by then, we would self publish. And that is what we ended up
doing.
The few remaining
airworthy B-17s attract attention wherever they show up. I have seen
half a dozen different examples at Oshkosh, with four being the most
I've seen together at one time. That was the year they flew The
Missing Man formation for the airshow crowd. As the four aircraft
approached, thousands of people turned as one and looked up in awe. I
felt a powerful sense of amazement as the penetrating growl of sixteen
Wright radial engines pounded my chest and shook my spine.
"TAPS" began playing from the loudspeakers as the formation
reached airshow center, and the crowd fell silent. Then, in a smooth
and precise motion, the number three ship lifted its nose and climbed
up and away from the others. At that moment the hair on the back of my
neck stood up and, despite the 85 degree temperature, a cold chill
engulfed me. I felt tears welling up in my eyes, and was not ashamed
when they spilled over and ran down my cheeks. My excitement at seeing
four B-17s at once was replaced by a profound sadness. In that moment,
I realized that I was a changed person. The Missing Man fly-by was not
about the airplanes. It was about the people who flew in them. Through
writing the story of the men of Ten Horsepower, I had been touched by
their courage and devotion, their sacrifice and loss, and by the
sorrow their families felt when they learned their boys would not be
coming home. I had looked into the airplane, and found the men inside.
And that is exactly what Rick School intended for all of us when he
decided to tell the story. |